Thinking about instruction my mind wondered to the subliminal instruction of advertising and how it instructs and manipulates your thinking. I found an old 1960's advertisement for Pan American airlines and got abstract with it.
Mar 2, 2009
Instructional drawing
Thinking about instruction my mind wondered to the subliminal instruction of advertising and how it instructs and manipulates your thinking. I found an old 1960's advertisement for Pan American airlines and got abstract with it.
Mar 1, 2009
read this about Robert Longo
It is no coincidence that the first exhibition in the new location entitled Of Men and Monsters concentrates on New York artist Robert Longo (born 1953). It will show works from his three series Monsters (2000), The Freud Cycle (2000) and Men in the Cities (1981/1998). The large-format pieces are IRIS prints and thus, if not strictly speaking photographs, decidedly photographic. Moreover, in particular the Men in the Cities, which date back to snapshots in the early 1980s, relate to a focal point in the Collection, namely the thematic issues of the media, power (violence) and identities, are often addressed under the buzzword 'postmodernism' and are reflected in the works of Cindy Sherman, Sherrie Levine, Louise Lawler, Marie-Jo Lafontaine and others.
Robert Longo perhaps stays most clearly rooted in the terrain of New York as an unreal city, as described by authors such as Paul Auster (City of Glass) and Bret Easton Ellis (American Psycho). Everything, even nature in the image of the wave (Monsters), appears in Longo's work as a gesture, as a matter of look and style, and thus as an image. His approach to the figurative is not dissimilar to that of Gerhard Richter (e.g., in the latter's 18th October 1977 painting cycle), addressing the specific interaction between drawing (painting) and photography, as is highlighted especially in the monumental presence of absence in his Freud cycle. Longo says that what interests him is not least to produce artworks that can stand their ground in the face of TV, films and magazines.
Robert Longo - Of Men and Monsters
Feb. 24 - May 9, 2009
DZ BANK [Kunstsammlung] ART FOYER
Platz der Republik
60265 Frankfurt/Main
Germany
Robert Longo perhaps stays most clearly rooted in the terrain of New York as an unreal city, as described by authors such as Paul Auster (City of Glass) and Bret Easton Ellis (American Psycho). Everything, even nature in the image of the wave (Monsters), appears in Longo's work as a gesture, as a matter of look and style, and thus as an image. His approach to the figurative is not dissimilar to that of Gerhard Richter (e.g., in the latter's 18th October 1977 painting cycle), addressing the specific interaction between drawing (painting) and photography, as is highlighted especially in the monumental presence of absence in his Freud cycle. Longo says that what interests him is not least to produce artworks that can stand their ground in the face of TV, films and magazines.
Robert Longo - Of Men and Monsters
Feb. 24 - May 9, 2009
DZ BANK [Kunstsammlung] ART FOYER
Platz der Republik
60265 Frankfurt/Main
Germany
Feb 27, 2009
Field Trip to PAM
Hi all, great observations at PAM Yesterday.
I don't know if anyone else thought about this, but at a certain point I became amused at our intense group discussion about the framing and the context of a works placement, as primary and the work it self as secondary as other museum visitors walked by. They must have been really confused, or thought we were nuts, or maybe thought it was interesting, I don't know but I though it was pretty funny, and illustrative of how we can learn from what we have around us in all kinds of ways!
I want to re-cap a little bit here of some of what we talked about.
The serial landscape presentation of James Lavedor
Kiki Smith's incorporation of sound, and her very immediate raw (no frame rough edges, no tacks) presentation.
The general minimal use of frame through out the contemporary section.
Darren Waterston's (as well as others) use of a gap between the frame an the piece- we discussed various reasons for this strategy.
Sue Coe's painting on unstretched canvas, placed in a frame but hung by visible hooks and grommets within the frame.
Gilbert and Georges "artist framed photographs" which were hung directly and "haphazardly" on the wall and then covered by a lotech framed sheet of glass suspended over them- kind of like a vertical vitrine.
Robert Ryman's formal presentation of Cardboard and Enamel paintings.
Scale! Considering the scale of your work for the space it will be in, since in this case we have the luxury of knowing.
Robert Longo's Mississippi Mud, there was lively debate about his framing adding to or detracting from the piece with good points made for either point of view.
Some key points: Because this is a group show and because our theme is so "loose" I have instructed you to include explanatory text with your piece. You should consider this text as part of your "framing" Also consider the tone of this text, for example you wouldn't use a fat Sharpe to do a scientific rendering, likewise you might not want to use academic or overly direct language to describe a more subtle or nuanced idea. You want our drawing and your text taken together to convey your intent.
Again, think about scale.
Also think about intentionality- is there any way you can point to your intention to have your work hung the way it is, (for example Sue Coe's inclusion of grommets and hooks within the frame.) I know we have a lot of constraints, as was pointed out, you may not be able to put your piece in a traditional frame even if you wanted to, but think about all these things, you may come up with a surprisingly simple and effective strategy to enhance the viewers experience of your work.
I encourage you to leave a comment with more information about the trip yesterday, we will have a recap on Tuesday too.
Have a great week end!
Sandy
I don't know if anyone else thought about this, but at a certain point I became amused at our intense group discussion about the framing and the context of a works placement, as primary and the work it self as secondary as other museum visitors walked by. They must have been really confused, or thought we were nuts, or maybe thought it was interesting, I don't know but I though it was pretty funny, and illustrative of how we can learn from what we have around us in all kinds of ways!
I want to re-cap a little bit here of some of what we talked about.
The serial landscape presentation of James Lavedor
Kiki Smith's incorporation of sound, and her very immediate raw (no frame rough edges, no tacks) presentation.
The general minimal use of frame through out the contemporary section.
Darren Waterston's (as well as others) use of a gap between the frame an the piece- we discussed various reasons for this strategy.
Sue Coe's painting on unstretched canvas, placed in a frame but hung by visible hooks and grommets within the frame.
Gilbert and Georges "artist framed photographs" which were hung directly and "haphazardly" on the wall and then covered by a lotech framed sheet of glass suspended over them- kind of like a vertical vitrine.
Robert Ryman's formal presentation of Cardboard and Enamel paintings.
Scale! Considering the scale of your work for the space it will be in, since in this case we have the luxury of knowing.
Robert Longo's Mississippi Mud, there was lively debate about his framing adding to or detracting from the piece with good points made for either point of view.
Some key points: Because this is a group show and because our theme is so "loose" I have instructed you to include explanatory text with your piece. You should consider this text as part of your "framing" Also consider the tone of this text, for example you wouldn't use a fat Sharpe to do a scientific rendering, likewise you might not want to use academic or overly direct language to describe a more subtle or nuanced idea. You want our drawing and your text taken together to convey your intent.
Again, think about scale.
Also think about intentionality- is there any way you can point to your intention to have your work hung the way it is, (for example Sue Coe's inclusion of grommets and hooks within the frame.) I know we have a lot of constraints, as was pointed out, you may not be able to put your piece in a traditional frame even if you wanted to, but think about all these things, you may come up with a surprisingly simple and effective strategy to enhance the viewers experience of your work.
I encourage you to leave a comment with more information about the trip yesterday, we will have a recap on Tuesday too.
Have a great week end!
Sandy
Feb 19, 2009
Maps and Invisible Cities
Heres a great link to a number of works based on Italo Calvino's book, Invisible Cities. Included is Roman Ondak's work, entitled Common Trip. Why are humans obsessed with map-making? Its quite fascinating. Great presentation today Sandy-you inspired me and now I can't stop googling!
Feb 17, 2009
online drawing exercise
This drawing is an interpretation of memory and how drawing relates to it. I began testing out how memory could be used as inspiration for drawing by detecting a specific memory from my own experience and mapping out how that memory made me feel. From there the feelings created by this memory led to such formal qualities of any art making such as composition and color choice. Though I agree with the article and description of memory within the website and this dichotomy between long and short term memory and how it allows for perspective, whether it is "faulty" or objective seems besides the point to me. We are human creatures who live inside our own minds and it is through art in my opinion that we discover perspective not create it. I view the drawing process as a more sensory mode by which we can discover parts of ourselves. In this way I agree with the article's ideas about sensory memory deposits and their ability to be "lazy" or fall in the often times gray area of "preconception." For me, however, this seems unworthy of analysis because it is this rearrangement and confusion of thought as it pertains to memory that makes an artist's work so dynamic and interesting.
Facebook Invite
Alright guys. Here it is. You should all be able to invite whomsoever tickles your fancy!
See you in class!
See you in class!
Feb 15, 2009
TRACEY Research Ideas...
TRACEY Drawing Research
Does drawing link to pre-linguistic thought?
Could drawing be used more widely for its role in cognitive development?
In terms of art history and more broadly, history of humanity, it is quite apparent that there is a significant link between drawing and cognitive development in the human mind. Our earliest records of humanity are indeed drawings that later evolved into both written word and artistic expression. Before there was a written language of any kind, drawing was utilized to (theoretically) communicate survival techniques, depict rituals, and render other forms of day-to-day life. This model of pre-linguistic thought is visible today in early human childhood, where, because of a language not yet learned, children use methods and materials available to them the not only depict the world around them, but also to attempt to decipher and learn about the space in which they exist. For children, drawing can also serve as a means to emote things that they are otherwise incapable of verbalizing. If we realize drawing as a vital role in early childhood development, then we can begin to understand the ways in which drawing can be used more widely for cognitive development. Drawing creates a visual language for children so that they can understand and interpret their daily endeavors. Without the aid of visual representation, it would be much more difficult for children to progress their learning into understanding more complex and challenging ideas. I think that there needs to be additional emphasis on art, more specifically drawing, and the ways in which these methods of learning can help children succeed in other areas of knowledge. In order for the brain learn more efficiently, a well-rounded education is vital; this includes the arts alongside the sciences, social sciences, and mathematics. If we ignore the reality of drawing’s purpose in education and specifically cognitive development, we are essentially defining the human brain as something quantifiable, rather than something vast, immense, and always changing. We should look to the past and to our human history to examine the ways that drawing has aided cultures and peoples since the early beginnings of our species.
Does drawing link to pre-linguistic thought?
Could drawing be used more widely for its role in cognitive development?
In terms of art history and more broadly, history of humanity, it is quite apparent that there is a significant link between drawing and cognitive development in the human mind. Our earliest records of humanity are indeed drawings that later evolved into both written word and artistic expression. Before there was a written language of any kind, drawing was utilized to (theoretically) communicate survival techniques, depict rituals, and render other forms of day-to-day life. This model of pre-linguistic thought is visible today in early human childhood, where, because of a language not yet learned, children use methods and materials available to them the not only depict the world around them, but also to attempt to decipher and learn about the space in which they exist. For children, drawing can also serve as a means to emote things that they are otherwise incapable of verbalizing. If we realize drawing as a vital role in early childhood development, then we can begin to understand the ways in which drawing can be used more widely for cognitive development. Drawing creates a visual language for children so that they can understand and interpret their daily endeavors. Without the aid of visual representation, it would be much more difficult for children to progress their learning into understanding more complex and challenging ideas. I think that there needs to be additional emphasis on art, more specifically drawing, and the ways in which these methods of learning can help children succeed in other areas of knowledge. In order for the brain learn more efficiently, a well-rounded education is vital; this includes the arts alongside the sciences, social sciences, and mathematics. If we ignore the reality of drawing’s purpose in education and specifically cognitive development, we are essentially defining the human brain as something quantifiable, rather than something vast, immense, and always changing. We should look to the past and to our human history to examine the ways that drawing has aided cultures and peoples since the early beginnings of our species.
Feb 12, 2009
Ambiguity/Tracy Institute question
What role does ambiguity play in my own work? A starring role! No--really.
Feb 10, 2009
Awesome places
Heres a list of amazing websites to check out.
Book By Its Cover
-this website is a collection of books, comics, sketchbooks from guest artists, and just lovely things from illustrator Julia Rothman.
20x200
-started by Jen Bekman in order to create a place with affordable art. Prints from featured artists run $20-$2000. I have a few prints around my apartment.
NotCot
-a fun website that shows thumbnails that users upload that showcase the latest in the art, design world.
Design*Sponge "Design By the Book"
-design*sponge is my favorite design/art related blog, and recently started a video series. Design by the Book follows several artists who use different mediums (glass,jewelry/porcelain,illustration,zines) as they use the resources at the New York Public Library. Scroll all the way down to see the videos in sequence. I think using the library as a means to create something is really special (why havent I thought of this before?!) , and there is probably a TON of cool stuff to find at any public library in Portland. Old photographs, maps, fabrics, who knows what. The finished works are really cool.
Enjoy!
Book By Its Cover
-this website is a collection of books, comics, sketchbooks from guest artists, and just lovely things from illustrator Julia Rothman.
20x200
-started by Jen Bekman in order to create a place with affordable art. Prints from featured artists run $20-$2000. I have a few prints around my apartment.
NotCot
-a fun website that shows thumbnails that users upload that showcase the latest in the art, design world.
Design*Sponge "Design By the Book"
-design*sponge is my favorite design/art related blog, and recently started a video series. Design by the Book follows several artists who use different mediums (glass,jewelry/porcelain,illustration,zines) as they use the resources at the New York Public Library. Scroll all the way down to see the videos in sequence. I think using the library as a means to create something is really special (why havent I thought of this before?!) , and there is probably a TON of cool stuff to find at any public library in Portland. Old photographs, maps, fabrics, who knows what. The finished works are really cool.
Enjoy!
"Text in drawing" or "I woke up sick this morning"
Here are some images of the drawing that I made dealing with text. I think I'm going to use this piece in the series for my final project. My idea was that collage can be a really powerful and successful way to incorporate text effectively into a piece. Even though I would consider this more of a mixed media drawing, it still fulfills the criteria for a drawing with text. If anyone has any suggestions or comments let me know!
Feb 9, 2009
language drawing
I've been into the drawing with photography concept. The freedom to see drawing this way has opened up the playing field for me in this class. I have this red ribbon I keep around and I've had this blue ribbon forever. I think I like ribbons because of the movement they make, it's like the movement of writing. I drew with the ribbons the language of the ribbons. There's an opened sugar package next to it and a sparkly ball above it. The opened sugar packet is spilling out the language. The sparkly ball reminds me of sugar, it's crystalline structure and the way it makes you feel. It's also like the dot over an I. The ribbons, sparkly ball and sugar packet are connected through my own language and their own individual languages.
Feb 8, 2009
Drawing With Language
Here is my contribution to the drawing-with-language project. The figures I rendered are meant to mimic letters of the alphabet. If you look at the upside-down photo I posted, you can see in the shadows the word "Play" written backwards.
Feb 1, 2009
Final Project show opportunity
Hey all, check this out, we will discuss on Tuesday. We have the opportunity to piggy back our show with the one at the MK. This will entail you getting your final projects done early, but will also give you a line on your resume and some experience with professional installation, it is up to you.
Think about it! Sandy
Dear Sandy Sampson.
The MK is booked through next December.
April-June is the MFA Studio Graduates exhibitions in the MK and the Autzen.
I love the hallways in the MK.
I am big fan of American socialistic construction.
I mean that.
If you want to coordinate your opening with the MK opening I will kick in for refreshments out of the MK budget and will assist in your installation in the hallway.
The opening in the MK and Autzen is Saturday, March 7, 2009 from 6-8 p.m.
We could draw a big PSU and outside art world crowd as Alicia McDaid is showing in the MK who has been in TBA and is hot on the streets as a musician | performer.
All the best to you.
Sincerely,
Patrick J. Rock
Think about it! Sandy
Dear Sandy Sampson.
The MK is booked through next December.
April-June is the MFA Studio Graduates exhibitions in the MK and the Autzen.
I love the hallways in the MK.
I am big fan of American socialistic construction.
I mean that.
If you want to coordinate your opening with the MK opening I will kick in for refreshments out of the MK budget and will assist in your installation in the hallway.
The opening in the MK and Autzen is Saturday, March 7, 2009 from 6-8 p.m.
We could draw a big PSU and outside art world crowd as Alicia McDaid is showing in the MK who has been in TBA and is hot on the streets as a musician | performer.
All the best to you.
Sincerely,
Patrick J. Rock
Jan 30, 2009
"Drawing as Document"
This is My Drawing as a Document. I chose to do a still life that I set up on my bed. On the page above the still life, is just some flower pattern that was added in. Sorry this is late : (
Jan 27, 2009
this what i did
HI everyone I showed up and thought you might have gone on a trip to the art museum. I went there and got my 10$ student membership and first i looked at the modern and contemporary art. I decided to practice figure drawing when I spotted a cozy bench about six feet from this Wilhelm Lehmbruek sculpture in bronze called Standing Woman (1910) located in the impressionist painting room. It was a pleasant experience aside from one over zealous observer in the room spouting out knowledge to his relatively disinterested companion and circling around my subject until his phone took them out of the room. I was struck by a sculture of a deer bending over to touch the outstreched nose of her foul, their bodies were made of michine parts, but the gesture was so sweet and perfect. It made me feel sad that hunters are seemingly unsympathetic to the sanctity of the lives of their sport, as if they were machines. I had to leave early to see an advisor who was incredibly obnoxious and loud like red paint on a black canvase smashed repeatedly into my face. Thanks alot obnoxious advisor number two...i swear the one I've seen before must have the heart rate of a humming bird!
kelly
camilla's drawing (photo) document
I did a "drawing" loosely based on my figurative work from last week with wires and cords and this is my document of it. (the snow and my bike wouldn't cooperate today so am not in class.)
Jan 26, 2009
my shoe: drawing as a document
I drew my shoe with sidewalk chalk. To add more contrast I used water.
Digital Painting
I found this link on reddit...its a whole bunch of digital paintings. Its mostly sci-fi (ain't my scene) and some are NSFW , but they're still quite interesting to look at-it would be cool to see a digital painter at work from conception to finished product.
Digital Paintings...
Digital Paintings...
Jan 25, 2009
Christopher's representational, and abstract drawings
Christopher's love of music, abstract above, representational below.
Jan 23, 2009
Jan 22, 2009
basquiat
This kind of drawing feels so intuitive to me. I think it's beautiful that he could make such interesting and lovely compositions with this sort of sloppy mind map. I find it sinscere, comforting, and real. for me this style addresses current issues with candor and energy which relieves my desire for something or someone to scream out.
Realistic and Abstract Drawings
Witnessing Obama's Inaugration will be something I'll never forget...
Jan 21, 2009
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